What happens when four friends decide to share a private office in a coworking space? To start with, they let their creativity flow when it comes to naming their group. Jojo, Kourou, OBA, and Vagos are the Cobra Kai team! Thanks to the flexibility a coworking space provides, these four friends who work remotely decided to get a private office at Stone Soup and focus on their projects together. When all you need is workspace and everything else is serviced, professionals can decide to join a coworking community instead of staying at home or returning to their fixed office.
Bringing diversity in a private office
Remote work and freelancing are two great ingredients in any recipe for flexibility and diversity. In this view, a shared private office is like a mini coworking space on its own! All you need is to gather your group of friends from school, university, or RPG games and get together in a workspace as Cobra Kai did! This way socialization is guaranteed as you can see a friendly face every time you focus on your projects.
Although they decided to enter a private office because they are long-time friends and not due to their professions, they have formed a truly interdisciplinary group. Apart from bringing some retro martial vibes to Stone Soup, the Cobra Kai dojo works in very innovative fields. Kourou is a front-end developer and works in data visualization while Vagos is an EU official specializing in cybersecurity. Jojo is a linguist and editor and OBA is a mathematician and works as an R&D consultant in machine learning.
In their own words: “Self-employed and working remotely. Some coding, some editing, tons of online meetings.”
Benefits of a sharing your own space
For them, getting a private office and sharing it “seemed like a good idea to avoid the everyday loneliness of home office”. This way it is much easier to catch up and stay in touch with your close friendly network. Moreover, having some cool company nearby is definitely helpful. This way you can share your personal and professional troubles with people you trust and listen to. Creativity and problem-solving get a boost as well since good brainstorming is just a couple of words away! And a tricky conversation piece does not have to do only with personal matters! For the Cobra Kai group, “illusions of deep political discussions“ is what brings them together as well!
Sharing a private office has been quite a positive experience for this group of friends so far, and they believe there are even better days to come. And if you are still wondering what is up with the name they gave to themselves, all we know is that “Yannis is a ninja. The rest of us have Netflix and just hate the Larussos!”
https://www.stonesoup.io/wp-content/uploads/2022/06/feature_image_sharedoffice.jpg9502400Stella Noutsouhttps://www.stonesoup.io/wp-content/uploads/2018/07/ssl300x300.pngStella Noutsou2022-06-20 13:18:192022-06-20 13:18:22Creating your own private office the way you want it to be!
Have you ever wondered how your favorite animation or video game is so life-like and realistic? Well, it’s probably because the developers used motion capture hardware and software, like the ones designed by Rokoko, our latest members!
We had a chance to speak with Petros, the Administrative Director of the Greek tech hub of Rokoko in Athens. He shared with us how it’s like to work with Rokoko, the competitive advantages of their tech products, and how online platforms help to build a digital community of creators.
The mocap technology
Motion capture is the process of making human (and sometimes animal) motion digital. With the help of optical sensors or in Rokoko’s case, small sensors, an actor transmits the motion data to a computer. The captured data is then used for animating 2D or 3D models. In-game development and filmmaking, motion capture is an unparalleled method for making animated characters move more realistically. Rokoko has developed the Smartsuit Pro and the Studio software in order to deliver a complete service.
A Danish Startup in Athens
The Rokoko headquarters and the company’s supply chain are based in Copenhagen, while in Athens there is a tech hub focusing on tech support and software. Petros explained how the Greek branch sprang in Athens back in 2015. It all happened by chance! Some members of the Danish team visited Greece for a private event and met a Greek developer. At first, they started a loose freelance collaboration. As the time passed, the team grew organically from five to twenty people! The Greek company was officially set up in 2020 and has been expanding since then.
So what’s it like to work for a tech startup in Athens? Petros noted that Rokoko is a startup in a scale-up process. Growing “from 5 people to a village” means that things are constantly in flux. A tech-oriented and relaxed work environment in the center of Athens proves truly exciting, especially for young professionals. Another appealing asset is that working in a creative tech position means that one must take ownership of the projects. It’s also really interesting that Danish and Greek cultures clash so it’s kind of a shock for Greeks who are used to a hierarchical system in the workplace. Adapting to a horizontal work culture means that team members can go with the creative flow and enjoy a relaxed environment.
Some ongoing research projects might be used for commercial reasons or might be thrown away. That’s how innovation works and this is one of the most exciting aspects of working for a tech startup like Rokoko, according to Petros.
Making technology accessible to all creators
But how is innovation transferred into the market? Rokoko’s main competitive advantages are accessibility, affordability, and the way it offers a full-body tracking solution, covering body, fingers, and face. Big studios use point systems of reference that a camera has to detect for motion capture. Rokoko, on the contrary, developed hardware that uses sensors on the Smartsuit Pro and the Smartgloves, which do not require a camera. As a result, the whole operation is much more affordable. This is the reason why Rokoko equipment is accessible to small and independent creators who make up more than 80% of the company’s customers. In addition, using their Studio software to gather all the data, you can get hyperreal results straight into your screen! Petros also revealed to us that we should expect much more to come in the future.
One such upgraded product is the Smart Suit Pro II that will be out in early 2022 and anyone can pre-order already!
Can you imagine being able to impersonate your favourite video game character? Well, Shutter Authority’s VFX videos are #madewithrokoko!
Are you a fan of Lil Nas X? His video clips are #madewithrokoko!
Building a community
How to bring creators together? Petros underlined the importance of scaling up the digital community that Rokoko has been building. Users share stories on Instagram adding the hashtag #madewithrokoko while all creators can interact and share tips through a Discord channel. Rokoko’s customer base consists mainly of independent creators so bringing them together in an active and sharing digital community is crucial for strengthening their voices. Apart from learning more about possible ways to create content, another incentive for creators is the chance to win hardware and software prizes (last year the company awarded one of the biggest bundles ever)! In a digital world, there is no need for a formal submission so #madewithrokoko is all that it takes to register!
What’s coming up?
Rokoko established a tech hub in Athens just before the pandemic. Because of that, they didn’t have the chance to host any networking events. Open innovation is one of their values, so Petros highlighted their effort to cooperate with universities. They try to approach educational institutions so that students can do their academic projects while getting professional experience in Rokoko. The buzz expected from the launch of the Smartsuit Pro II is going to be huge so more events are coming both in Athens and abroad! We are beyond lucky to have them in our workspace and we can’t wait to see what realities they’ll take us next!
https://www.stonesoup.io/wp-content/uploads/2021/12/Startups-in-Athens-Innovation-made-with-ROKOKO-3.jpg7121800Stella Noutsouhttps://www.stonesoup.io/wp-content/uploads/2018/07/ssl300x300.pngStella Noutsou2021-12-23 13:53:452022-01-03 15:54:35Startups in Athens: Innovation made with ROKOKO
For Foteini Vergidou, 2020 was a milestone year for digital culture and contemporary art. Our new member is a curator, researcher, and project manager based in Athens.
“2020 was a year of living online and I don’t know if there will be any difference between art and digital culture from now on.”
Her curatorial practice focuses on the impact of technological advancements on human relations, on human-machine relations, and between humans and their ecosystem. She explores issues related to cultural identity, climate change, surveillance, and big data.
We had a chance to speak with her about the current digital art scene of Athens and the value of digital media for contemporary artists.
Exploring digital art: getting exposed to experiences abroad
Foteini represents a brain gain example. She obtained an MA in Interactive Media: Critical Theory and Practice from the Goldsmiths University of London. While studying she explored the contemporary art scene in London and indulged in her research interests before moving to Berlin to work in the iconic transmediale festival. She stayed in Berlin for 3 years and worked as a gallery manager in DNA Berlin. Such an international and multicultural environment equipped her with an open mind towards work-related issues. As a result, living and working abroad made her realize that there is no center of experiences and no bipolar divisions between “us” and “them”.
She returned and settled in Athens in 2015. In that year, Foteini worked as Coordinator and Project Manager for Kappatos Athens Art Residency Program. During this period, she collaborated with international artists such as Martin Creed, Roy Ascott, and Santiago Sierra. She also curated the Web Art exhibition category for the Athens Digital Arts Festival in Greece for the 11th and 12th editions. Most recently, she curated the Hysterophimia Pavilion, the Greek Pavilion for the 4th edition of The Wrong Digital Art Biennale (2019 – 2020) exploring the contemporary culture around Images, from selfies to big data.
Since 2018, she has worked as Curatorial Advisor and Project Manager for the artist Kalliopi Lemos, developing research upon themes that center around migration, human rights, and gender injustice. At the same time, she worked on different projects in Athens and abroad promoting artists through digital media.
Margarita Athanasiou: “social media manager”, Video, 2016
Yorgos Papafigos: “The Ladder”, Computer animated HD film, stereo sound, 2017
Hysterophimia Pavillion film stills
Online culture and physical community: two sides of a common goal
For Foteini, the experiences triggered and gained abroad can be developed in one’s own country. Physical and online interaction with audiences and other creative professionals, input and output of experiences, drive a successful exposure.
Thus, community and network building play an important part in her career. It is actually the first thing she advises every new artist to pursue through physical and digital media. On one hand, this is the reason she joined a coworking space. It offers a physical chance of socialization, necessary to bring together different perspectives and ideas among professionals. On the other hand, artists can achieve digital interconnectivity and exposure through investment in up-to-date online platforms and social media like Instagram. In the last few years, digital art and media became an upcoming field in Athens. The pandemic boosted this relatively new way of promotion and highlighted the importance of the transition to online representation.
Tips for new artists: digital platforms are the future
But how can an artist take advantage of the digital media available to promote their body of work? Foteini describes a few fruitful moves they can make: network building, social media, research in up-to-date websites, platforms, funding. An artist’s online presence should include a social media account, like Instagram, where they promote their artwork. Through this medium, their physical network can interact with them and give them feedback.
Also, for Foteini the curative process is connected with a certain amount of research. Every exhibition is the result of a body of research that she deals with at a particular moment. Since 2017, she is an editor and writer at FerociousUrbanites.com, where she conducts research around issues that derive from our relation to technology. This is also an example of an up-to-date website with a strong focus on promoting Greek digital artists to an international audience. Browsing websites like this can offer artists and art lovers inspiration and information about online culture and digital art.
Since 2019, she is an active member of the TILT platform, bringing together creative people including artists, researchers, and theorists. She is always seeking collaboration with other professionals, coming often from diverse disciplines and practices, in order to develop synergies and joint projects. Her main goal is to conduct collective research, while forming an exhibition or a public intervention, in order to reveal different perspectives. The exhibition “Iasis” she curated for the TILT platform presented a body of work, artworks, educational seminars, and workshops, that investigated the political and social dimensions of global human activity. The TILT platform is an example of a network-building initiative for artists. Foteini compares it with a coworking space where members can interact and share their ideas and projects.
Picks ‘n tips for digital culture events & art-lovers
Foteini thinks that the contemporary Athenian cultural scene is experimental, as is the city itself. The pandemic has boosted the transition to online representation even though she agrees that there are limits. For example, both theatre and art exhibitions had to offer the audience an experience mediated by the Internet. Big and small institutions had to adapt to the new condition and the results are appealing to many. She points out that the initiatives to promote online culture from Onassis Foundation and the PCAI are worth “browsing”. Furthermore, digital media like Instagram are basic components of projects curated by 3137, an artist-run space in Athens. On the international side, she suggests visiting the Top Museum (Tokyo Photographic Art) and the Overkill festival.
Foteini’s expertise as a curator is to manage all these tasks! And you are welcome to contact us and get in touch! She acts as a mediator between artistic expression and public perception. Nevertheless, she is a strong supporter of the “artist’s fee”, the payment that every creator must demand in exchange for the presentation of their work. She admits that the current focus on digital art, both in Athens and internationally, can pose new challenges for artists. Her advice to them is to always seek copyright and legal support before participating in online exhibitions.
“Always reinvent yourself and be adjustable”
This is what she learned and suggests to every art worker in the post-pandemic world. There is no need for a laptop if a creative professional pursues exposure and openness, values that she found in a coworking space. For her, coworking offers inspiration through interaction without the extra layer of workplace stress. And in these crazy times, a casual chat in a safe space can be more creative than ever!
https://www.stonesoup.io/wp-content/uploads/2021/02/Digital-Art-in-Athens-Foteini-Vergidou-Curator-scaled.jpg17072560Stella Noutsouhttps://www.stonesoup.io/wp-content/uploads/2018/07/ssl300x300.pngStella Noutsou2021-03-02 16:27:132021-03-02 16:27:16Digital Art in Athens and beyond: a curator’s view
The entire western world talks about innovation. It’s the key for the development of western economies, and it’s a one-way street. All of the engineering and math-oriented work passes through globalization to overseas engineers. It combines low operational cost with high productivity. However, in the case of innovation it is really complex. Actually, there is no consensus on how innovation works.
Numerous products such as book or pieces of art are made each year, but how many of them actually obtain an exceptional place in the market? Engineering plus creativity gives birth to innovation. It’s not a coincidence that great innovators were not just engineers or scientists; they were also artists in their own fields, in their own community.
It is true that innovative minds can be taught, to some extent; but not the regular way. Arts andHumanities is that one-inch that makes the difference. Is it possible to imagine Mac OS without art? However, markets are not always in favour of the best technology. Mac Os is vastly superior than Windows OS in many aspects, but the latter dominates the markets. Believingthat every product or skill deserves the share that it takes is a big fallacy. It may be true when talking about low-level service and measurable skills, but it’s not about innovation. It’s almost trivial to give credits on to someone or something that is already established.Any wise analyst can see all the critical points that made the difference of that one-inch and claim “I knew it, I knew it, I saw it!”. Bullshit! Nobody takes into consideration the billions of products that never surfaced because of flawed timing, funding or many, many other reasons that we may find afterwards.
Start wherever you are!
In the real world with real considerations and a well-structured market, skills and abilities will be expressed and rewarded somehow. But that could be anywhere! What they say? ‘History is repeated!’ Nonsense! Just nonsense! Every path is unique and, the dots can only be connected by looking backwards. All innovative “newbies”are fighting for a ticket in a theatre where the performance is never, ever repeated. The roles are changing upon the stage and the script is nothing more than trash.
The best way of learning is by doing..
A YouTube founder once said: “I am not impressed by our success, we planned it!” Hah…“They planned it!” They planned to receive in a couple of years a bunch of millions. When Google came to light, its founderswanted to sell their idea but nobody wanted to buy it! They couldn’t see any commercial value in a multi-billion-dollar business idea that changed the flow of information in the whole world! Who really knows? Trial and error was the most effective method that has ever existed, and it still might be.
The point is that the harder you work, the luckier you get. Perseverance can make the difference. The vast majority of inventors, innovators, and scientists around you – they are not as charismatic or talented as you think – they are persistent.
https://www.stonesoup.io/wp-content/uploads/2019/06/art-by-lonfeldt-WRBTuTZ6O-M-unsplash-min.jpg20802600Olga Paraskevopoulouhttps://www.stonesoup.io/wp-content/uploads/2018/07/ssl300x300.pngOlga Paraskevopoulou2019-06-27 13:54:192021-11-29 14:44:57Are innovators born or made?
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